Screenplay editor · notes · readers
A screenwriting app built around the part that actually makes a draft better — the notes. Share a script the way you’d share a doc, and put a room of readers on it who each look for something different. None of them write a word of it.
No account needed to write. Import a PDF, a Final Draft file, or paste from anywhere.
Notes
Every other tool anchors a note to a character range. Rewrite the line and the note orphans — which is exactly backwards, because a rewrite is the moment you most want to re-read the note.
01
A comment is anchored to the line’s identity, not its position or its text. Move it, rewrite it, re-import the whole script from Final Draft — the note stays attached.
02
Rewrite a line and its notes are marked stale, showing what the line said when the note was written. You decide whether the rewrite answered it.
03
You hold the pen. Collaborators comment and propose edits you accept or reject line by line. No fighting over a cursor, no version called FINAL_v7_JB.
The room
“This is slow” is noise. “The exec stops caring on page 4 because nothing has been asked of your lead yet” is something you can act on. So you pick who reads — and each one is looking for something different, and ignoring the rest.
Runs a room. Cares whether this engine produces more episodes.
Reads forty pages before lunch. Stops reading when interest stops.
Structure first. Finds the load-bearing wall you removed.
Has to say these words out loud, in front of people.
Has seen nine hundred of these. Wants to know why this one.
Reads the script as a budget and a schedule.
Not on your side. Not against you. Just unconvinced.
A reader’s note lands on the line it quotes, in the same thread as everyone else’s. Reply to it and it replies back — it will defend the note, or concede it. Argue with the note; the page stays yours.
Put three readers on the same pages and the useful output isn’t what they agree on — it’s the scene the exec wants cut and the programmer says is the only reason to make it. That’s a real choice, and it stays yours to make.
Your words. Never words for you.
No generation, no autocomplete, no rewrite button, no “punch this up.” The readers describe what’s on your page and ask you the question it raises. This isn’t a marketing position — it’s enforced in the schemas every assist feature returns, and there is no field in them where a line of your script could come back written by a machine.
A study of 23 working screenwriters put satisfaction with AI-written dialogue at zero percent. We think they’re right.
Also in the box
Enter and Tab do what they do in Final Draft. Auto-formatting, character autocomplete, live page count and runtime, scene navigator.
PDF, Final Draft, Fountain, or paste from Word. Layout-aware, and it shows you what it was unsure about instead of guessing quietly.
Press play on any scene. Every character gets a distinct voice. Free, in your browser, and the easiest thing to send someone.
PDF at industry margins, .fdx, Fountain, plain text. Leaving is easy on purpose — that’s what makes arriving safe.
$150
One coverage report
$275
One online table read
$40/mo
Cheapest AI notes tool
$19/mo
Scriptroom, per writer
Readers and commenters are free, forever. You pay for the person holding the pen.
Questions
No. Not a line, not a beat. The readers can argue with you in the margin all day — that’s brainstorming, and it’s what a collaborator does. What none of them can do is put words on your page.
No. Drafts live in your browser until you sign in, and nothing is retained for training. Full detail on the security page before launch.
No. Commenting is free forever and always will be — you pay per writer, not per reader. Invite as many people as you like.
No, and most people shouldn’t at first. Import a scene, get it read, export it back. People move over when they want to, not because the export is broken.
The free tier uses your browser’s own — genuinely useful for rhythm and length, obviously synthetic in timbre. Paid tiers add performance-grade voices for the reads you send to someone else.
No signup. Write a line, press play, send a reader in. Decide in five minutes whether this is useful to you.
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